The lovely days
The lovely days with my wife and two sons. A record of them. But photography is a means to a purpose, not the purpose in itself. But I guess it's still the purpose. I'm sorry that I'm not a good photographer. But even so, if I face it and take the shutter firmly in spite of my inferiority, my beloved memories will remain. So, thank you, photography and family.
Born in 1982. Lives and works in Kodaira, Tokyo.
In 2018, he submitted "Dōmō, Kōkatsu, Nanoni Roubai" to the New Cosmos of Photography, but it was not accepted.
In 2019, he produced a zine "SMITH ECHO," a collection of photos from his trip to Cairns.
Judged by Tim Barber:
Inspired by the Grand Prix, Takahashi Miki’s work, I thought it would be fun and interesting to make a compilation of the widely diverse and eclectic work submitted for this contest. When edited and organized, the “memory” submissions, sent in from dozens of artists, become a kind of collective-memory-collage, a dream sequence of disparate clues from a kaleidoscopic narrative.
* This work was included in a curated collection of works selected by the judge Tim Barber from a number of submitted works. See the collection