I like noise and drone music.
At first there is an information overload for your ears, but gradually you get used to it and your body begins to recognize the subtle changes in sounds.
After this, the sound is detached from your consciousness and you get the experience of all the things that you have seen in your life appearing and disappearing in your brain.
It's different from something like an express slideshow. And it's not like a picture lantern, either,
If I were to give an example, it's like seeing the light from your hometown lighthouse from the sea.
Clusters of images are wrapped in light and you get the feeling of an arc being gradually created.
I'm searching for the lighthouse.
One by one, I want to make each picturesque scene that appears in my life my own.
Born in Iwaki, Fukushima Prefecture in 1993. Tokyo based.
Four photography books published. Major solo exhibitions include "Wing Curtain/Lighthouse" (2019, B gallery).
19th 1_WALL Photography Competition Judges Honorable Mention (selected by Kimi Himeno).
The rough tone appears coarse, as if the image has been copied over several times but it contains a wealth of detailed information within. It is reminiscent of the convalescent tone in Daido Moriyama's "Light and Shadow." Superior composition and framing.
The world is awash in color, and we register the reality before our eyes in color. However, photographs begin from black and white. Images captured in monochrome give rise to a different meaning, aesthetic value, and context than color images, and are capable of showing us a very different world from what we are used to. Although the information contained in color is usually minute, a world that is depicted in gradations of black and white may occasionally speak to us even more eloquently. I believe that the richness of monochromatic forms of expression is something that both photographers and viewers have experienced. Regardless of the subject or the differences between film and digital media, please showcase the new frontiers of the long-existing "BLACK&WHITE" without being held back by existing ideas.
[Submission Period] from November 1 to January 6
Takayuki Ishii was born in 1963 and moved to the United States in 1982. While studying painting at the Otis College of Art and Design in Los Angeles, Ishii began his career in the U.S. as an art dealer. Upon returning to Japan in 1994, Ishii established Taka Ishii Gallery in Otsuka, Tokyo (the gallery is currently located in Roppongi). Over the past quarter century Taka Ishii Gallery has held exhibitions with Japan’s leading photographers including Nobuyoshi Araki, Daido Moriyama, Naoya Hatakeyama; painters such as Tomoo Gokita, Nobuya Hoki, Naoto Kawahara, and Kyoko Murase, and has further introduced the works of up and coming Japanese artists: Ei Arakawa, Yuki Kimura, Yukinori Maeda, and Kei Takemura. In addition to organizing exhibitions in Japan, Ishii quickly expanded his activities to the global art scene. Through regular participation in international art fairs such as Art Basel and Frieze Art Fair, Ishii has contributed to increasing the global recognition of the Japanese artists he represents. At the same time, he serves to actively introduce the currents of contemporary art in Europe and the United States to the Japanese audience through exhibitions with highly acclaimed international artists such as Thomas Demand, Dan Graham, Sterling Ruby, and Cerith Wyn Evans as well as the works of aspiring young artists like Luke Fowler and Mario Garcia Torres. Ishii is also involved in the publication of exhibition catalogs and artist’s books.
In February 2011, Ishii established Taka Ishii Gallery Photography / Film in Roppongi, Tokyo, as a gallery that specializes in photography. The gallery showcases the works of Japan’s prewar and postwar generation of photographers including VIVO members such as Eikoh Hosoe, Shomei Tomatsu, and Ikko Narahara; Minoru Hirata whom documented the activities of avant-garde artists of the 1960s, and works by Kiyoji Otsuji from Jikken Kobo [Experimental Workshop]. Furthermore, the gallery introduces works by young photographers such as Erika Yoshino, Tomoki Imai, Nao Tsuda, and Ayaka Yamamoto. In November 2018, Ishii opened “SHOP Taka Ishii Gallery,” a new concept-based retail shop in Starstreet Precinct, Wan Chai, Hong Kong. SHOP Taka Ishii Gallery aims to create an experimental retail space that transcends the boundary between “gallery” and “shop” by having different artists and designers freely explore the spatial design and exhibit selected works and other products in approximately three months cycles.
In May 2014, Ishii established the Fine-Art Photography Association (FAPA) as a means to further develop the unique and rich context of Japan’s photography community. The Association comprising of supporting galleries, publishers, and booksellers, launched the Hillside Terrace Photo Fair in Daikanyama, Tokyo, in September 2014. In addition to nurturing the growth of Japan’s currently developing photography market, the association continues to plan a variety of measures with the aim to further promote and disseminate practices in Fine-Art photography and film culture.